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It then automatically detects and removes the background. Instead of having to tweak the key for best results, Videomerge can simply be dragged onto a clip. This is a simplification of the chromakeying tools which already existed. The novice user is also the focus of another of Premiere Elements 7’s new additions, Videomerge. The Themes, which were introduced in Premiere Elements 4, can also be used separately, as matched titling and DVD menu Themes. However, with everyday handheld footage we found it marked most shots down, making it less useful than it could be. This will then automatically rank your clips according to qualities such as focus and stability of camerawork. You can also call it up with the SmartTagging wizard. (centre)”’InstantMovie wizard analyses your clips using its Smart Tagging system, and then uses this to cut and arrange them automatically”’ (/centre)įortunately, the analysis engine isn’t only restricted to InstantMovie. But the end results are naturally rather clichéd – and a bit of a waste of Premiere Elements power and depth. As a quick and dirty cut, or if you really haven’t got the patience to edit yourself, InstantMovie could be handy.
If you’re not happy with the results, you can change settings for Theme Content, Music, Duration, and Sequence. This can be quite a time-consuming process, but graphics, transitions, titles and music are all added according to the chosen theme. The clips are analysed for various factors, which then dictate how they are cut and ordered. The automatic editing isn’t just a random process. The wizard then guides you through selecting clips and choosing one of the 20 available Themes, before setting the system rolling. You can call up the process right from the opening splash screen, or you can run it from inside the application once it has loaded. The Adobe iteration is a little more sophisticated.
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Ulead VideoStudio and CyberLink PowerDirector have offered this kind of widget for some time now, and Flip even offers a simplistic equivalent in the software integrated into its pocket YouTube-oriented camcorders. New to this version is InstantMovie, which edits your footage for you automatically. The software has come along way since then, with each iteration adding a few more concessions to ease of use.
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It was essentially a cut-down version of Premiere Pro with tab-based editing stages cobbled on as a nod to the novice. The first version of Premiere Elements was really quite scary. But it also has a number of other additions, mostly aimed at improving its usability for newcomers. So Premiere Elements 7 can now edit footage from virtually every camcorder currently available, removing our biggest criticism of the previous version. The only camcorder footage we tried which wasn’t properly recognised was from the YouTube-oriented Creative Vado and Flip Video Ultra. Even Samsung’s high definition and standard definition MP4s weren’t an issue. It also handled JVC’s MPEG-2-based TOD files without a hitch.
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Premiere Elements 7 imported AVCHD from Sony, Canon, Panasonic and JVC – including Full HD. Since we have seen examples of virtually every camcorder released from most manufacturers in the last year here at TrustedReviews, we were able to try a comprehensive set of sample footage. (centre)”’Finally, Premiere Elements supports AVCHD”’ (/centre) We would recommend a dual-core system running at over 2GHz for this, however.
In fact, we’d even go so far to say that it’s the smoothest implementation we’ve yet seen.ĭespite the extra processing required by H.264-based footage such as AVCHD compared to MPEG-2, Premiere Elements is surprisingly responsive, even when you have added an effect or two.
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Crack out the champagne, have a lie down on the nearest couch so your heart doesn’t give out, because it doesn’t just support AVCHD – it also does a very good job. At long last, the new version of Adobe Premiere Elements supports AVCHD, and jumps courageously from Version 4 to 7 to mark the occasion. But, despite AVCHD having virtually taken over as the high definition consumer camcorder recording format, Adobe dragged its feet. The majority of its competitors have been able to edit the format for a couple of versions now. We have been reprimanding Adobe for some time about the lack of support for AVCHD in Premiere Elements.
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